His work includes: video, film and series production, VOD platform building,  implementation of generative AI into traditional film and video making, online distribution on global and local platforms, talent scouting.

Lukas Zahor’s  guest speaker during his presentation
Mission-driven EdTech and AI innovator with 3+ years of experience helping customers harness generative AI to create engaging video content and elevate their storytelling. Passionate about transforming learning design, enhancing productivity, and inspiring creativity through the power of AI. 

Kateřina Marková is a PhD candidate at the Centre for Ethics as Study in Human Value (CE) at the University of Pardubice. She is a PhD-level researcher at the Centre for Environmental and Technology Ethics – Prague (CETE–P), where, as part of the project “Human-centered AI for a Sustainable and Adaptive Society,” she researches the impact of digital content—curated through algorithms guided by the principle of profitability—on the autonomy of vulnerable individuals and their communities. Kateřina holds an MA in multimedia from the Faculty of Engineering of the University of Porto. She has over 15 years of experience as a designer in the tech industry. Her prior research focused on the management of personal data in connection with death, from ethical, environmental, and economic perspectives. 

Michał Krzykawski, PhD,  university professor in philosophy at the Faculty of Humanities of the University of Silesia, Poland, where he heads the Centre for Critical Technology Studies. His research revolves around philosophy of technology, social ecology and political economy. Coordinator of the research field Social Framework for AI-Based Systems at Open Eyes Economy Hub, vice-president of the foundation Pracownia Współtwórcza (Contributory Lab), member of the Council of the National Programme for the Development of Humanities. Recently published works:  Bifurcate. “There is no Alternative”  (edited by Bernard Stiegler with the Internation Collective, Paris 2020, London 2021) and (in Polish)  The Economy and Entropy.  Overcoming the Polycrisis (co- edited with Jerzy Hausner, Warszawa 2023). 

Ania Malinowska is a cultural theorist, writer, and Professor of Media and Cultural Studies at the University of Silesia in Katowice, Poland, where she co-directs the Centre for Critical Technology Studies. Her work focuses on technoculture, emotional semiotics, and the evolving entanglements between humans and machines. She probes speculative methods which interrogate the cultural imaginaries and ontological shifts introduced by intelligent machines. She is also co-developer of the artistic research project Hypnotic AI, which investigates machine sentience through hypnotic induction. Malinowska’s interdisciplinary practice spans critical writing, curatorial work, and experimental methodology, rethinking digital subjectivity, posthuman hermeneutics, and the interpretive challenge posed by nonhuman intelligence. 

Professor Arkadiusz Marcinkowski is a renowned artist and educator. He specializes in digital graphics using artificial intelligence, video art, graphic design, painting, and spatial activities. His works are a testament to his constant exploration of new forms of expression. His artistic portfolio includes dozens of exhibitions in graphics and easel painting. He has participated in numerous exhibitions, particularly in Japan, where he travels annually to present his works in prestigious galleries.
In 2023 he completed a research internship at the University of Cambridge in the UK. He is a member and advisor of the China-Korea Idea Design Association and C-IDEA China International Design Educator Association.  

Alžbeta Kuchtová is a researcher at the Slovak Academy of Sciences, Institute of Philosophy in Bratislava, Slovakia. She focuses on French Philosophy and Phenomenology, Environmental Philosophy, Posthumanism, Philosophy of Technology and Post-Soviet Feminism. She works on translations (E. Levinas, J. Derrida) from French to Slovak. She is the author of The Ungraspable as a Philosophical Problem (Brill, 2024) and the co-editor of  Repenser la logique du vivant après Jacques Derrida  (Paris, Hermann 2024), her latest publications include:  La radicalité du manger (2024) in Journal of French and Francophone Philosophy, The Incalculability of Generated Text (2024),  in Philosophy&Technology, Humanity as a New Image of the Divine Absoluteness (2023) in Brill. 

Dr. Brigitta Iványi-Bitter is an art historian, cultural studies scholar, and legal expert whose interdisciplinary career bridges academic research, digital innovation, and heritage practice. As Principal Investigator of the project “Impact of AI on preserving the cultural heritage of low-resource languages”, she leads a pioneering research project advancing cultural and linguistic equity in image-generating AI systems. Holding a PhD in Film, Media, and Cultural Studies and MAs in Law and Political Science as well as in Art History, she is uniquely positioned to address the ethical, representational, and legal dimensions of cultural data and artificial intelligence.  

Anna Keszegna Keszeg is an Associate Professor at the Moholy-Nagy University of Art and Design, where she also leads the Heritage in Motion Lab. With a background in the humanities (literature, philosophy, history), her research focuses on visual culture and fashion studies, particularly through the lens of popular geopolitics. Her most recent book, published in Hungarian, explores the transmedia strategies of the fashion industry. She has contributed to a range of international journals, such as European Review, Journal of European Popular Culture, Fashion Highlights Journal, etc.