His career began in the mid 1990s, when there was socio-cultural boom after the fall of communism. This period also saw evolution in the Hungarian creative industries. 

In 2000, he founded Stalker Studio with his Tibetologist partner. The Studio became a prominent creative graphic workshop in the early 2000s. This part of his career is defined by a focus on visual identity in his research and development. He became the art director for organisations that were rebranding, such as Hungarian Television, the Hungarian State Opera House, Budapest Design Week, the Hungarian National Gallery, the Sapientia Hungarian University of Transylvania and MKB Bank. This era of his career is defined by innovations in design methodologies and the new, perspective-shaping effect of visual design. 

In 2008, he returned to MOME as a teacher, and from then on, book design took over as the focus of his creative activity. He worked on the typographic layout of several books on architecture, such as monographies on the work of Farkas Molnár, Ferenc Bán, János Golda or Péter Reimholz. 

Throughout his career, he has been an active member of professional circles. Aside from his organisational memberships (MAOE, MKISZ, ART), he regularly contributes to the work of professional panels and boards of trustees (Hungarian Product Design Award, Moholy-Nagy Product Design Scholarship, Golden Drawing Pin Award). He is a member of the MAB Art Committee. 

His publications include editing books from Embléma.hu and Plakát.hu. 

His work has won a number of awards, including the Noémi Ferenczi Award, the Hungarian Design Award, the Golden Drawing Pin Award, the Beautiful Hungarian Book Award and the Epica Awards.